Diploma in Audio Engineering

Cape Audio College Diploma students start by covering all the fundamentals of sound recording, both analogue and digital, and learning what being an audio engineer is all about. After an initial introduction into the theory components of the craft, students then learn by theory and practice together. As part of the practical assessment, students are required to record and produce radio commercials ready for air play, perform PA setup and live mixing, record and mix bands in the studio as well as learning about compact disc production utilizing the latest computer and digital editing recording equipment available to date. Our lecturers are highly qualified industry professionals who, apart from giving you the best training around, will make sure that you enjoy every lecture. Classes and workshops are held in a relaxed environment and numbers are kept small. For demonstration purposes the lecture room is fitted with equipment to demonstrate the practical uses of the relevant equipment used in practical studio sessions. Students will book practical time in the studios and apply what they have learned in class.


The Diploma Course offered by the Cape Audio College is the most acclaimed and respected Audio training program available in the country. Internationally recognized as a superior institute, we also frequently train students from other countries such as Israel, Switzerland, France, Germany, and Sweden, and our practical, hands-on training approach, combined with over ten years' experience in the audio training and production industries, is the key ingredient in our formula for success.

The Cape Audio College’s main aim is to prepare you for a job in the audio industry. Just a few of the careers open to qualified audio engineers are:

Recording Engineer
Live Sound Engineer
Mastering Engineer
Television Audio Engineer
Boom Operator
Film Sound Engineer
Studio Owner

Monitor Engineer
Broadcast Audio Engineer
Studio Designer
Sound Advisor
Commercial Producer
Freelance Engineer
Theatre Audio Engineer

We offer as much assistance as possible when it comes to getting into the career you wish to pursue. We can also put you in touch with relevant people in the industry who can offer more help and sometimes employ you directly.  Leading recording studios, radio stations and audio-visual production companies have endorsed the Cape Audio College by employing successful graduates. Cape Audio College emphasizes hands-on training. All students attending our college have individual practical studio time. The College is equipped with professional multi-track recording studios. In order to perform professionally and work in studios or broadcasting facilities today, one needs a solid grounding based on both practical and theoretical knowledge, all of which can be obtained at the Cape Audio College.

Successful Students
Over the past 15 years the Cape Audio  College has trained a huge amount of talented people. Our graduates are working all over the world in top spots spanning all corners of the audio industry Read More

Studio Gallery
Our 13 state of the art studios will ensure your development in the technical field of sound engineering. This truly is the most well equiped training facility in the country. Have a look for yourself. Read More

Students Work
Some great music comes out of our studios. As part of the course work students produce local bands which often results in some pretty serious sounding music. Have a listen to some of the better ones here. Read More

Fundamentals:

The Decibel:
The Human Ear / Sound Levels
Acoustic power measurements
Electrical measurements
dBm, dBv, dBu Measurement
Basic Electronics.

Sound Principles:

Sound and vibration
Dynamic Range
Wavelength / Hertz
Phase
Frequency Ranges
Frequency Response
Fletcher Munson Contours
dBA, dBB, dBC

Microphones:

Condenser Microphones
Dynamic Microphones
Electret Microphones
Ribbon Microphones
Directional Characteristics
Polar Patterns
Dual Diaphragm / Dual Pattern
Measuring Polar response
Proximity Effect
Impedance / DI boxes
Wind Noises
Phantom Power
Microphone Technique
Close & Distant
Binaural / Stereo Sonic
X-Y / M-S / A-B Stereo Recording
Phase cancellation & reinforcement
Common Mic Techniques
Makes of micrphones

Recording Equipment

Modern recording studio consoles
8 buss consoles / floating buss
Patch Bay
Input section
Monitor section / sub-master section
Assignment section
Auxilliary section
Signal path
Talk back / Communications
Master section
Recording techniques
Basic tracks / Overdubbing / Bouncing
Playback mode / Record mode
Track Assignment
Cue / Headphones
Recording Levels
Post tape Monitoring
Mixdown / Mastering
Magnetic Recording & Tape Machines
Basic Magnetism and Magnetic tapes
Proffessional Audio Recorders
Record Circuit / Playback Circuit
Tape Saturation
Hysteresis loop / Bias AC & DC
Harmonic Distortion
Tape Size and speed
Tape alignment
Demagnetization
Coercive force / Erasure
Noise and Noise reduction
White / Pink noise
Residual noise
dbx noise reduction
Dolby SR / S / A / B / C
Summary of noise reduction systems

Equalisers

Low / Mid / High frequency EQ
Phase Shift
Filters: notch, band pass, high pass,
low pass
EQ - Parametric
Sweep
Shelf
Graphic eq
Active and passive equalization
EQ effect on level & dynamic range
EQ technique

Compressers, Limiters, Expanders & Noise Gates

Compression
Threshold
Ratios
Pumping & Breathing
Attack & Release
Special Effects
Voice-over compression and ducking
De-esser/Expander/Limiter
Noise Gates, Gating technique

Reverberation, Echo, Delay

Reverb time (RT60)
Echo & Delay
Tape Delay
Digital Delay
Acoustic Delay
Doubling
Reverb plate / spring / chamber
Digital Reverb / Diffusion / pre delay

Other Effects

Harmonizers / Aural exciters
Flanging / phasing / chorus
Samplers
Music Knowledge
Grade 1 Music theory

 

Hard Disk Recording

Computer orientation
Introduction to Pro-Tools DAW
Basic session / Disk storage / Backup
Hardware setup
Mix/Edit windows

Midi

Connections / Transmission Data
Masters / Slaves
Program Channels
MIDI Modes, MIDI Messages
Computers and MIDI
MIDI in live performance
MIDI in the recording studio
Implementation charts

Digital Audio

Digital formats
DASH / ADAT / DAT / Optical / Hard Disk
Digital processors
U - Matic Recorders
Sub codes / User information
Error detection and correction
Binary Number Systems
Nyquist frequency
Aliasing / Dither /Oversampling
Pulse Code Modulation
Quantisation
Analog to digital conversion
Sampling Rates

 

Digital Audio Transmission

Cables and connectors
Transmission Formats
S/PDIF / AES/EBU / Fibre optics
Jitter / SCMS
Digital clock rates

Time Codes

SMPTE / EBU / Sony 9 pin / MTC
Frame Rates / Drop Frames
Generator / Reader
Blackburst synchronization
Interlocking tape machines
Multi machine application
Inter-application communication

Live Sound

Amplifiers
Front of house / monitor systems
Speaker systems / wiring
Three phase power
Tuning / Pink noise
Cabs, Wedges
Microphone use
Live acoustics
Feedback / Graphic equalizers
Matrix consoles
Signal processing devices
Live mixing

Acoustics

Modes / Standing waves
Resonant frequencies
Psychoacoustics
Acoustic phase distortion
Isolation, Reflection, Absorption
Absorption
Co-efficient
High / Low freq absorption
Bass traps / Poly absorption
Tuning rooms / isolation control
Sound transmission class
Floating floors
Building home and pro studios

Mastering

The mastering studio
Master Equalization, compression
Red, Orange and Yellow Book

The Compact Disc

CD Manufacture / Workings
Glass Master
Electroplating
Nickel Mother
Injection moulding
3 Beam Tracking
Error Detection and correction
SCMS
Reed Solomon Code
Flats and pits
User bits, sync codes, index points

 


Course Duration:


1 Year starting January, ending December, or 1 Year from July to June.

Each week, the students will attend one theory lecture and then book studio time for the remainder of the week.

Lectures:


Lectures take the form of interactive "workshops", covering a curriculum composed of both audio theory, and procedural exercises. The lectures run from 09:30 - 13:00 on either Mon, Tues, Wed or Thurs.

Studio Time:

Practical studio time is booked in 3 hour sessions between 09:00 and 18:00 Mondays to Fridays. Lecturers are constantly present to assist and guide students' progress.

Entrance Requirements:

Students who enroll at the Cape Audio College are advised to have completed at least Grade 10 with Standard Grade Math's and Science. This knowledge will benefit you in your understanding of audio principles.

Course Structure:

The course Comprises an in-depth theory section and a wide variety of practical assignments. A year mark is established from theory examinations as well as practical assignments in a continuous assessment program, totaling 2000 marks. To graduate, students must obtain at least 1500 marks in total (75%) in the following areas:

 

 



 


 

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