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Diploma in Audio Engineering
Cape Audio College Diploma
students start by covering all the fundamentals of sound
recording, both analogue and digital, and learning what
being an audio engineer is all about. After an initial
introduction into the theory components of the craft,
students then learn by theory and practice together. As part
of the practical assessment, students are required to record
and produce radio commercials ready for air play, perform PA
setup and live mixing, record and mix bands in the studio as
well as learning about compact disc production utilizing the
latest computer and digital editing recording equipment
available to date. Our lecturers are highly qualified
industry professionals who, apart from giving you the best
training around, will make sure that you enjoy every
lecture. Classes and workshops are held in a relaxed
environment and numbers are kept small. For demonstration
purposes the lecture room is fitted with equipment to
demonstrate the practical uses of the relevant equipment
used in practical studio sessions. Students will book
practical time in the studios and apply what they have
learned in class.
The Diploma Course offered by the Cape Audio College
is the most acclaimed and respected Audio training program
available in the country. Internationally recognized as a
superior institute, we also frequently train students from
other countries such as Israel, Switzerland, France,
Germany, and Sweden, and our practical, hands-on training
approach, combined with over ten years' experience in the
audio training and production industries, is the key
ingredient in our formula for success.
The Cape Audio
College’s main aim is to prepare you for a job in the audio
industry. Just a few of the careers open to qualified audio
engineers are:
Recording Engineer
Live Sound Engineer
Mastering Engineer
Television Audio Engineer
Boom Operator
Film Sound Engineer
Studio Owner
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Monitor Engineer
Broadcast Audio Engineer
Studio Designer
Sound Advisor
Commercial Producer
Freelance Engineer
Theatre Audio Engineer |
We offer as
much assistance as possible when it comes to getting into
the career you wish to pursue. We can also put you in touch
with relevant people in the industry who can offer more help
and sometimes employ you directly. Leading recording
studios, radio stations and audio-visual production
companies have endorsed the Cape Audio College by employing
successful graduates. Cape Audio College emphasizes hands-on
training. All students attending our college have individual
practical studio time. The College is equipped with
professional multi-track recording studios. In order to
perform professionally and work in studios or broadcasting
facilities today, one needs a solid grounding based on both
practical and theoretical knowledge, all of which can be
obtained at the Cape Audio College.
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Successful
St udents
Over
the past 15 years the Cape Audio College has trained
a huge amount of talented people. Our graduates are
working all over the world in top spots spanning all
corners of the audio industry
Read
More |
Studio Gallery
Our
13 state of the art studios will ensure your development
in the technical field of sound engineering. This truly is
the most well equiped training facility in the country.
Have a look for yourself.
Read
More
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Students Work
Some
great music comes out of our studios. As part of the
course work students produce local bands which often
results in some pretty serious sounding music. Have a
listen to some of the better ones here.
Read More
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Fundamentals :
The Decibel:
The Human Ear / Sound Levels
Acoustic power measurements
Electrical measurements
dBm, dBv, dBu Measurement
Basic Electronics.
Sound Principles:
Sound and vibration
Dynamic Range
Wavelength / Hertz
Phase
Frequency Ranges
Frequency Response
Fletcher Munson Contours
dBA, dBB, dBC
Microphones :
Condenser Microphones
Dynamic Microphones
Electret Microphones
Ribbon Microphones
Directional Characteristics
Polar Patterns
Dual Diaphragm / Dual Pattern
Measuring Polar response
Proximity Effect
Impedance / DI boxes
Wind Noises
Phantom Power
Microphone Technique
Close & Distant
Binaural / Stereo Sonic
X-Y / M-S / A-B Stereo
Recording
Phase cancellation &
reinforcement
Common Mic Techniques
Makes of micrphones

Recording Equipment
Modern recording studio consoles
8 buss consoles / floating buss
Patch Bay
Input section
Monitor section / sub-master section
Assignment section
Auxilliary section
Signal path
Talk back / Communications
Master section
Recording techniques
Basic tracks / Overdubbing / Bouncing
Playback mode / Record mode
Track Assignment
Cue / Headphones
Recording Levels
Post tape Monitoring
Mixdown / Mastering
Magnetic Recording & Tape Machines
Basic Magnetism and Magnetic tapes
Proffessional Audio Recorders
Record Circuit / Playback Circuit
Tape Saturation
Hysteresis loop / Bias AC & DC
Harmonic Distortion
Tape Size and speed
Tape alignment
Demagnetization
Coercive force / Erasure
Noise and Noise reduction
White / Pink noise
Residual noise
dbx noise reduction
Dolby SR / S / A / B / C
Summary of noise reduction systems
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Equalisers
Low / Mid / High frequency EQ
Phase Shift
Filters: notch, band pass, high pass,
low pass
EQ - Parametric
Sweep
Shelf
Graphic eq
Active and passive equalization
EQ effect on level & dynamic range
EQ technique
Compressers, Limiters,
Expanders & Noise Gates
Compression
Threshold
Ratios
Pumping & Breathing
Attack & Release
Special Effects
Voice-over compression and ducking
De-esser/Expander/Limiter
Noise Gates, Gating technique
Reverberation, Echo,
Delay
Reverb time (RT60)
Echo & Delay
Tape Delay
Digital Delay
Acoustic Delay
Doubling
Reverb plate / spring / chamber
Digital Reverb / Diffusion / pre delay
Other Effects
Harmonizers / Aural exciters
Flanging / phasing / chorus
Samplers
Music Knowledge
Grade 1 Music theory
Hard Disk Recording
Computer orientation
Introduction to Pro-Tools DAW
Basic session / Disk storage / Backup
Hardware setup
Mix/Edit windows
Midi
Connections / Transmission Data
Masters / Slaves
Program Channels
MIDI Modes, MIDI Messages
Computers and MIDI
MIDI in live performance
MIDI in the recording studio
Implementation charts
Digital Audio
Digital formats
DASH / ADAT / DAT / Optical / Hard Disk
Digital processors
U - Matic Recorders
Sub codes / User information
Error detection and correction
Binary Number Systems
Nyquist frequency
Aliasing / Dither /Oversampling
Pulse Code Modulation
Quantisation
Analog to digital conversion
Sampling Rates
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Digital Audio
Transmission
Cables and connectors
Transmission Formats
S/PDIF / AES/EBU / Fibre optics
Jitter / SCMS
Digital clock rates
Time Codes
SMPTE / EBU / Sony 9 pin /
MTC
Frame Rates / Drop Frames
Generator / Reader
Blackburst synchronization
Interlocking tape machines
Multi machine application
Inter-application communication

Live Sound
Amplifiers
Front of house / monitor systems
Speaker systems / wiring
Three phase power
Tuning / Pink noise
Cabs, Wedges
Microphone use
Live acoustics
Feedback / Graphic equalizers
Matrix consoles
Signal processing devices
Live mixing
Acoustics
Modes / Standing waves
Resonant frequencies
Psychoacoustics
Acoustic phase distortion
Isolation, Reflection, Absorption
Absorption Co-efficient
High / Low freq absorption
Bass traps / Poly absorption
Tuning rooms / isolation control
Sound transmission class
Floating floors
Building home and pro studios
Mastering
The mastering studio
Master Equalization, compression
Red, Orange and Yellow Book
The Compact Disc
CD Manufacture / Workings
Glass Master
Electroplating
Nickel Mother
Injection moulding
3 Beam Tracking
Error Detection and correction
SCMS
Reed Solomon Code
Flats and pits
User bits, sync codes, index points

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Course
Duration:
1 Year starting January, ending
December, or 1 Year from July to June.
Each week, the students will attend one theory lecture and
then book studio time for the remainder of the week.
Lectures:
Lectures take the form of
interactive "workshops", covering a curriculum composed of
both audio theory, and procedural exercises. The lectures
run from 09:30 - 13:00 on either Mon, Tues, Wed or Thurs.
Studio Time:
Practical studio
time is booked in 3 hour sessions between 09:00 and 18:00
Mondays to Fridays. Lecturers are constantly present to
assist and guide students' progress.
Entrance Requirements:
Students who enroll at
the Cape Audio College are advised to have completed at
least Grade 10 with Standard Grade Math's and Science. This
knowledge will benefit you in your understanding of audio
principles.
Course Structure:
The course Comprises an
in-depth theory section and a wide variety of practical
assignments. A year mark is established from theory
examinations as well as practical assignments in a
continuous assessment program, totaling 2000 marks. To
graduate, students must obtain at least 1500 marks in total
(75%) in the following areas:
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